The Second Life Of Recorded Sounds (online conference)

Programme

 

22nd October, Thursday 

 

10.00–10.15 

OPENING 

 

Chair: Dariusz Brzostek (Nicolaus Copernicus University, Toruń) 

 

10.15–10.45 

Anna Maria Busse Berger (University of California, Davis) 

The Search of Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries 

 

10.45–11.15 

Piotr Cichocki (University of Warsaw) 

Field Recording Beyond the Fieldwork. A Pure Documentation or a Cooperative Experiment 

 

11.15–11.45 

Anna Markowska (University of Wrocław) 

Sound Archives and the (Re)Construction of Cultural Identity 

 

11.45–12.15 

COFFEE BREAK 

 

Chair: Anna Kvicalova (Charles University, Prague) 

 

12.15–12.45 

Uta Schmidt, Richard Ortmann (University of Duisburg-Essen) 

The Second Life of the Recorded Creaking and Moaning of a Silesian Mine Cars Circulation 

 

12.45–13.15 

Michał Witek (University of Wrocław) 

The Soundscapes of the Necrocene – the Role of Sounds and Sound Archives in the Natural History Exhibitions 

 

13.15–13.45 (Adam Mickiewicz University, Poznań) 

Jadwiga Zimpel 

Use of Urban Sound Archives In Grassroots Evaluation of Urban Restructuring 

 

13.45–14.05 

Antoni Michnik (The Institute of Art of the Polish Academy of Sciences, Warsaw) 

What Do Recordings Want? What Do Voices Want? The Second Life of Recordings From First World War German POW Camps [Q&A live to the pre-recorded lecture] 

 

23rd October, Friday 

 

Chair: Piotr Cichocki (University of Warsaw) 

 

10.00–10.30 

Jacek Smolicki (Linköping University) 

From the Impulse to Enliven the Archive to the Composition of New Modalities of Archiving 

 

10.30–11.00 

Jarosław Jaworek (Adam Mickiewicz University, Poznań) 

Sound Archives – Alternative Sources for Historical Research 

 

11.00–11.30 

Anna Kvicalova (Charles University, Prague) 

(In)Visible Sounds: Voice Dissection in the Czechoslovak Fonoscopy Lab 

 

11.30–12.00 

COFFEE BREAK 

 

Chair: Csaba Hajnoczy (Moholy-Nagy University of Art and Design, Budapest) 

 

12.00–12.30 

Paweł Szroniak (Wrocław Contemporary Museum) 

Extended Listening and It’s Choregraphies 

 

12.30–12.50 

Beata Anna Targosz (Berlin) 

Hybrid environments ‒ Speculative Soundscapes 

 

12.50–13.20 

Michal Kindernay (Prague) 

The Memory of Sound Images 

 

13.20–13.45 

Pedro Oliveira (Helsinki Collegium for Advanced Studies, 2021) 

offensichtlich unbegründet (work-in-progress) [Q&A live to the pre-recorded lecture-performance] 

 

 

24th October, Saturday 

 

Chair: Magdalena Zdrodowska (Jagiellonian University, Cracow) 

 

10.00–10.30 

Hans Ulrich Wagner (Leibniz-Institute for Media Research, Hans-Bredow-Institute, Hamburg) 

What Can We Grasp From a Historical Sound Document… On Sound Analysis, Communicative Processes in the Past & Urban Space Construction 

 

10.30–11.00 

Sara Pinheiro (CAS/FAMU Prague; University of Bangor) 

Field Recording: Politics of Sonic Data 

 

11.00–11.25 

Renata Tańczuk (University of Wrocław) 

Studium and Punctum in Recordings of the Urban Soundscape 

 

11.25–11.50 

Sławomir Wieczorek (University of Wrocław) 

On Mishearing Recordings. The Case of Ryszard Siwiec’s Tape from 1968 

 

11.50-12.15 

COFFEE BREAK 

 

Chair: Jan Krtička (Jan Evangelista Purkyně University, Ústí nad Labem) 

 

12.15–12.45 

Csaba Hajnoczy (Moholy-Nagy University of Art and Design, Budapest) 

Soundscape Composition vs Field Recording Based Composition in the Hungarian Contemporary Praxis 

 

12.45–13.15 

Julius Fujak (Constantine the Philosopher University, Nitra) 

Milan Adamčiak 

“Joy In Sound!” (Music-Intermedia Suchness of His Graphic Scores and Performances) 

 

13.15–13.45 

Daniel Brożek (sound art curator, Wrocław) 

Sound as a Function of Time, Space and Memory – Art Aided Listening in Examples 

 

13.45–14.15 

OR poiesis (alias Petra Kapš) (Maribor) 

KAMIsTONE / listening session and presentation 

 

14.15–14.35 

Gerard Lebik (Sanatorium of Sound, Sokołowsko) 

Sanatorium of Sound Festival – Presentation of the Festival [Q&A live to the pre-recorded lecture]